<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Powell Peralta on BadBillys.com</title><link>https://www.badbillys.com/tags/powell-peralta/</link><description>Recent content in Powell Peralta on BadBillys.com</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>BadBillys.com</copyright><lastBuildDate>Fri, 05 Jun 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://www.badbillys.com/tags/powell-peralta/index.xml" rel="self" type="application/rss+xml"/><item><title>Powell Peralta and the Graphics Era of 80s Skating</title><link>https://www.badbillys.com/post/powell-peralta-graphics-era-80s-skating/</link><pubDate>Fri, 05 Jun 2026 00:00:00 +0000</pubDate><guid>https://www.badbillys.com/post/powell-peralta-graphics-era-80s-skating/</guid><description>
&lt;p&gt;By the mid-1980s, skateboarding had outgrown its identity as a surf substitute. Concrete parks, street spots, and backyard ramps demanded their own visual language — and the companies that understood this first built empires. The deck itself became the medium. Graphics were not decoration; they were argument, allegiance, and advertisement compressed into nine inches of maple.&lt;/p&gt;
&lt;p&gt;No company pressed that argument harder than the Powell Peralta company.&lt;/p&gt;
&lt;h2 id="vernon-courtlandt-johnson-and-the-visual-grammar-of-powell-peralta"&gt;Vernon Courtlandt Johnson and the Visual Grammar of Powell Peralta&lt;/h2&gt;
&lt;p&gt;When George Powell and Stacy Peralta co-founded Powell Peralta in 1978, they were building a performance brand. Powell brought engineering instincts; Peralta brought competitive credibility, having ridden professionally through the Zephyr era of Santa Monica. But the aesthetic dimension of the company — the thing that made kids tape posters to bedroom walls — came largely from one artist: Vernon Courtlandt Johnson, known in skate circles as VCJ.&lt;/p&gt;</description></item></channel></rss>