<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Skate Industry on BadBillys.com</title><link>https://www.badbillys.com/tags/skate-industry/</link><description>Recent content in Skate Industry on BadBillys.com</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>BadBillys.com</copyright><lastBuildDate>Fri, 12 Jun 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://www.badbillys.com/tags/skate-industry/index.xml" rel="self" type="application/rss+xml"/><item><title>The Skate Boom's Decline: Fragmenting After 1991</title><link>https://www.badbillys.com/post/skate-boom-decline-market-fragmentation-1991/</link><pubDate>Fri, 12 Jun 2026 00:00:00 +0000</pubDate><guid>https://www.badbillys.com/post/skate-boom-decline-market-fragmentation-1991/</guid><description>
&lt;p&gt;In 1991, Mark Gonzales walked away from Vision Skateboards — the company that had given him one of the most influential pro models of the decade — and put his name on a deck stamped with a brand whose title was a pointed insult to his former sponsor. Blind Skateboards, launched under Steve Rocco's World Industries umbrella, was named as a deliberate slight against Vision. That same year, Blind released &lt;em&gt;Video Days&lt;/em&gt;, shot by a young Spike Jonze, and the film instantly reframed what a skate video could be. The defection was not an isolated career move. It was a signal flare marking the moment the industry's center of gravity shifted away from the big vert-era companies and toward a scrappy, skater-owned street economy that would dismantle the old order within a few short seasons.&lt;/p&gt;</description></item></channel></rss>