<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Skate Video on BadBillys.com</title><link>https://www.badbillys.com/tags/skate-video/</link><description>Recent content in Skate Video on BadBillys.com</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>BadBillys.com</copyright><lastBuildDate>Thu, 25 Jun 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://www.badbillys.com/tags/skate-video/index.xml" rel="self" type="application/rss+xml"/><item><title>Skate Video: The Marketing Medium That Beat Print</title><link>https://www.badbillys.com/post/skate-video-marketing-medium/</link><pubDate>Thu, 25 Jun 2026 00:00:00 +0000</pubDate><guid>https://www.badbillys.com/post/skate-video-marketing-medium/</guid><description>
&lt;h2 id="a-format-nobody-expected-to-sell"&gt;A Format Nobody Expected to Sell&lt;/h2&gt;
&lt;p&gt;When Powell Peralta released &lt;em&gt;The Bones Brigade Video Show&lt;/em&gt; in 1984, the company expected to sell about 300 copies on VHS. It sold 30,000. That gap — two orders of magnitude between the forecast and the result — is the whole story of how skate video became the dominant marketing medium of the 1980s skate industry. The tape did not just outsell its projection; it revealed that there was a way to reach core skaters that the existing media infrastructure had no idea existed, and that the company controlling that channel controlled the conversation.&lt;/p&gt;</description></item></channel></rss>