<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Street Skating on BadBillys.com</title><link>https://www.badbillys.com/tags/street-skating/</link><description>Recent content in Street Skating on BadBillys.com</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>BadBillys.com</copyright><lastBuildDate>Wed, 17 Jun 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://www.badbillys.com/tags/street-skating/index.xml" rel="self" type="application/rss+xml"/><item><title>Street Skating's Rise: Concrete Replaced Halfpipes</title><link>https://www.badbillys.com/post/street-skating-rise-1987-1990/</link><pubDate>Wed, 17 Jun 2026 00:00:00 +0000</pubDate><guid>https://www.badbillys.com/post/street-skating-rise-1987-1990/</guid><description>
&lt;p&gt;In 1986, on a plaza of granite ledges and brick gaps in front of the Embarcadero in San Francisco, Mark Gonzales ollied across a gap that no contest had a category for. There was no judging panel, no coping, no transition — just a flat run-up, a tap of the tail, and a jump cleared over a stretch of pavement that office workers crossed on their lunch break. The spot was not built for skating. That was the point. The gap is still called the Gonz Gap, and the moment it marks is the one where skateboarding's center of gravity began sliding off the halfpipe and down onto the street.&lt;/p&gt;</description></item><item><title>The Skate Boom's Decline: Fragmenting After 1991</title><link>https://www.badbillys.com/post/skate-boom-decline-market-fragmentation-1991/</link><pubDate>Fri, 12 Jun 2026 00:00:00 +0000</pubDate><guid>https://www.badbillys.com/post/skate-boom-decline-market-fragmentation-1991/</guid><description>
&lt;p&gt;In 1991, Mark Gonzales walked away from Vision Skateboards — the company that had given him one of the most influential pro models of the decade — and put his name on a deck stamped with a brand whose title was a pointed insult to his former sponsor. Blind Skateboards, launched under Steve Rocco's World Industries umbrella, was named as a deliberate slight against Vision. That same year, Blind released &lt;em&gt;Video Days&lt;/em&gt;, shot by a young Spike Jonze, and the film instantly reframed what a skate video could be. The defection was not an isolated career move. It was a signal flare marking the moment the industry's center of gravity shifted away from the big vert-era companies and toward a scrappy, skater-owned street economy that would dismantle the old order within a few short seasons.&lt;/p&gt;</description></item></channel></rss>